Moscow, August 2004.
Albert Kuvezin has just checked into a hotel having spent 24 hours on a train
from Budapest as the result of having been forcibly deported from Hungary along
with the rest of his band. Their passports had been stolen from the dressing
room of the gig the previous day. Their plea for help from the Russian Embassy
resulted in them being frog-marched to the railway station and sent home. Before
he can relax he receives a phone call from his co-singer Radik Tiuliush telling
him that he has had enough of the rigours of travelling backwards and forwards
from Tuva (a 3-day journey just to get to Moscow before an international flight
takes them to start a tour). There are only 2 days to find new passports and
a new singer before they are due to begin a US tour. This proves impossible
and Albert retreats to Kazyl where he is immediately hassled by mobsters and
corrupt government officials. He then crashes his car and ends up in hospital.
Whilst convalescing Albert ponders his band’s future and listens to his record
collection. Having spent many years being persecuted under the Soviets for listening
to and playing rock’n roll he contemplates the long journey that his love of
both Tuvan Folk Music and Western Rock has resulted in. He had toured the world
many times playing at some of the great festivals such as Glastonbury, Roskilde,
Bloomington, Monterey, Transmusicale, and Sziget. He had played hundreds of
club shows and listened to and met some great bands along the way. Bands like
his thrash heroes Slayer and folk heroes such as the Chieftains and contemporary
artists such as Billy Bragg and many more.
And now Yat-Kha was due to travel to London in October 2004 to record a new
album that Albert had been busy writing earlier in the year. As he lay there
with music from all around the world blaring out from his newly- acquired PA
system Albert decided that he would commit his musical and spiritual journey
to tape instead of his new songs. His new album would reflect how music took
him from one of the world’s more remote regions to international recognition.
Remote, yes, yet central enough to pick up the currents of international music,
even if the international music scene was not yet hip to the growling waves
coming from Tuva. He would revitalise himself by re- engaging with his loves
of country, blues, rock and just all things music. Although he was due to self-produce
his new album Albert made a last minute phone call to the legendary world music
producer Ben Mandelson who immediately made time to take over production duties.
Justin Adams, producer of Tinariwen, joins him on a couple of tracks.
The band began by jamming many of Albert’s favourite tunes and from this came
the new album Re-Covers.
- When The Levee Breaks (Led Zeppelin).
"It is just on of my favourite band of the all time and
I wanted to record more of them though who can compare with
them even today?".
- Man Machine (Kraftwerk).
"Remember that time? They were very fresh and unusual
between the dominance of rock and punk. Plus very progressive.
It is about our relationship with machine world.
Almost Folkloric."
- Ramblin’ Man (Hank Williams).
"I don¹t like when there is too much text in songs
but this one is just about my self and my brothers - musicians.
It is very close to our souls and spirit of freedom.
Actually we are all the travellers on this planet."
- In-A-Gadda-Da-Vida (Iron Butterfly).
"Great song because it is simple I respect talented simplicity.
Good voice and a guitar riff which always make me interested as a
guitarist my self."
- Love Will Tear Us Apart (Joy Division).
"This band wasn¹t well known in Russia but some band made big
name and good career during USSR time copying and imitating the likes of JD.
I like the mood and guess our manager Jim likes them very much."
- Her Eyes Are A Blue Million Miles (Captain Beefheart).
"Of course, 20 years ago I didn¹t know about this man but when
got listen it for the first time I thought that it could be me if I
was born in USA at that time. But luckily I live in Siberia and like to
say: "Hello!" back to those funny days."
- A Song About A Giraffe (Vladimir Vysotskiy).
"The cult figure of Soviet Culture. The actor, poet, and singer he died
in 1989 but is still very popular in Russia. His songs are full of sarcasm
and humour. They are about the defects of human society and full of love
and pain when about native land. This song is just one of hundreds he wrote."
- Orgasmatron (Motorhead).
"I always liked music full of energy.
Years ago I liked such kind of lyrics and wrote such my self.
Also this is good possibility to remind to politicians who they are."
- WillYou Go, Lassie, Go? ( Mc Peake Family )
"When I played with the great Chieftains I began to like Irish
music and found some similarity with some Siberian people¹s music."
- Toccata (Paul Mauriat).
"When I was little boy this melody by the French composer and
conductor was played by his orchestra on Soviet T.V. and radio every
Sunday and that gave us a very clear and nice holiday emotion for the whole day.
This is a kind of connection to that happy time."
- Black Magic Woman (Carlos Santana version).
"One more my favourite artist. This song is somehow connected to
Siberian black shaman women whom I like very much."
- Exodus (Bob Marley).
"Again, I love freedom and independence which are also possible
through the movement and travels.
I love to read about historical peoples movements.
Plus I like Bob and reggae."
- PlayWith Fire (Rolling Stones).
"I never liked very much RS and even less The Beatles.
In this song I got good motion that gave me feeling to play
such riff in the style what I like."
-
The Song of Mergen (Alexei Tchyrgal-ool).
"The composer Alexei Baktaevitch Tchyrgal is a great of Tuvan
Symphonic music but he also wrote a number of nice songs for different
ensembles and bands I am lucky enough to have been working with him and
living in his neighbourhood. This song was written for the first movie
about Tuva "People of Blue Rivers"."
Albert Kuvezin Kyzyl , Tuva Feb 2005